| Rosina and Alejandra.
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| Catalana.
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| Joshua and Conrad (Calontir).
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| OK, Paul had a pretty good time this year. Remember, I refused to
tell you his secret last year? Well, I'm not telling you again (although
you could ask Richenza, who knows). Here he is with one of his young
escorts.
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| The band for the ball. It was good to see Avatar there this year,
at his first Pennsic.
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| More of the band. I didn't catch all of their names, there were some
new faces there this year.
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| Catriana. She's the one pulling a small truckload of music along behind
her. A dead giveaway, even with the Gwommi-esque mask.
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| Alejandra and Philip White.
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| Joshua and his new fiancee Esther.
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| Esther, Juliana, and Richenda.
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| Hey, let's play "Spot yourself in the crowd!".
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| If you missed out the first time you get a free bonus game!
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| Last chance everyone! You know, my camera takes really bad crowd shots.
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| Gelosia is one of the favourites in the barn.
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| William Redcape, explaining the finer points of dance to one of the ladies at
the masked ball.
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| Some of the masks seen at the masked ball.
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| One of the unicorn tapestries. Apologies for the lack of quality, it
was taken without a flash in a fairly dark room and then digitally brightened.
I was mostly looking at the different types of footwear on this one.
|
| Another unicorn tapestry, complete with spectator (Cate). The dude on
the left has a longer outfit, parti-coloured hose with a join above the
knee, and an exceptionally impressive silly drinking hat with a couple of
rather preposterously coloured feathers.
|
| A ridiculous late gothic eagle candelabra. I'm not sure that this
isn't roccoco, actually, I may have mis-read the labelling.
|
| Another tapestry, early 16th C. The guy in front has interesting
hose, laced at the top to the very bottom of the back of the doublet,
the doublet itself is missing any flap at the back, however it has a
skirted front.
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| One of the late gothic statues of Mary.
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| The same statue, taken from the side.
|
| Times square. An interesting and noisy place.
|
| At the Metropolitan Museum of Art (the Met). One of the earliest portraits
I've seen involving an open-laced fronted dress and starting to see separated
sleeves with the underdress / chemise visible. This is from around 1470.
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| A Ghirlandaio portrait, reminiscent of his more well known one of the
old man and the young boy.
|
| I think this is Saint Justina (or possibly juliana; it's a J one
way or another), I didn't get down the name of the artist, but it's
from around 1530 I think. This was difficult to get a shot of because
they've framed it and used highly reflective glass.
Amie says: This is almost certainly Agnolo Bronzino
(1503-1572). Nobody else paints fingers the way he does. Bronzino painted
the original (often copied) Eleonora
of Toledo portrait -- the one with the incredible gown appliquéd with
cloth-of-gold & black velvet.
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| Another madonna and child, from around 1480.
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