The following being an accounting of the formal bits of Month Five and final of the Summer Twilight Tourney Series the Second.
Mistress Nicolette - Period Cooking
Estienne Delemontagne - Fruit and Almond Cake 19/25 - 6 pts
Teffiania Tuckerton - Compost 18/25 - 4 pts
Estienne Delemontagne - Pretzels 17/25 - 2 pts
Estienne Delemontagne - Fruits and Vegetables Pickled 16/25 - 1 pt
Gillian - Perry on Peasode 16/25 - 1 pt
Mistress Elspeth - Elizabethan Sonnet
Cormac Lenihan - 19/25
Gillian of St Barts - 15/25
Rudolf von der Drau - 13/25
Gwynfor Lwyd - 11/25
Master Gwynfor - Prettification
Estienne Delemontagne - Florentne Gown (14/15) 10 pts
Teffania de Tuckerton - Headwrap (2) (3) (13/15) 8 pts
Brendon - Juggling (10/15) 7 pts
Gillian - Herald's Tabard (10/15) 7 pts
Lisette - Banner for Zhou (8/15) 5 pts
Catherine - Favour (7/15) 4 pts
Tobias - Blue Banner with scimitas (6/15) 3 pts
Cormac - List Shields (6/15) 3 pts
Tobias - Childs Tabard (5/15) 1 pts
Master Cormac - Newbie Fighter
Bertrum of St Monica - 1 pt
Corin Andrei - 1 pt
Tobias Troubagour - 1 pt
Zhou Long Xi Xian Sheng - 1 pt
Peer's of Krae Glas - Chivalry, Courtesy and making the event more fun
Zhou Long Xi Xian Sheng - helpfulness, fun with fighting - 2 pts
Estienne Delemontagne - enthusiasum - 1 pt
Bout Details
Fighter |
Bouts Won |
Bouts Lost |
Total Bouts |
% Won |
Chivary Points |
Herealdry Points |
Appear-ance Points |
Random Acts |
Placing |
Total Points |
Cormac |
5 |
7 |
11 |
44 |
|
4 |
2 |
4 |
5 |
15 |
Gwynfor |
5 |
1 |
6 |
83 |
1 |
3 |
|
1 |
9 |
14 |
Hugh |
4 |
3 |
7 |
57 |
2 |
2 |
4 |
|
6 |
14 |
Everard |
7 |
3 |
10 |
70 |
3 |
|
|
3 |
8 |
14 |
Zhou |
8 |
4 |
12 |
66 |
|
|
3 |
2 |
7 |
12 |
Belesario |
5 |
7 |
11 |
44 |
4 |
|
|
|
5 |
9 |
Corin |
3 |
6 |
9 |
33 |
|
|
|
|
3 |
3 |
Theresa |
0 |
3 |
3 |
0 |
|
1 |
1 |
|
1 |
3 |
Bertrum |
1 |
4 |
5 |
20 |
|
|
|
|
2 |
2 |
Period Cooking Results
each category gets 5 points
Dish / Recipe |
Documentation |
Authenticity |
Creativity / Presentation |
Complexity |
Workmanship / Taste |
Total Score |
Fruit and Almond Milk Cake |
5 |
4 |
4 |
3 |
3 |
19/25 |
Compost |
3 |
4 |
4 |
3 |
4 |
18/25 |
Pretzel |
4 |
4 |
3 |
3 |
3 |
17/25 |
Fruits and Vegetables Pickled |
4 |
4 |
3 |
2 |
3 |
16/25 |
Perry on Peasode |
4 |
4 |
3 |
2 |
3 |
16/25 |
1 Fruit and Almond Milk Cake - (1) (2) (8) (9)
2 Compost - rom the Forme of Cury (15th Centruy England) see attaced recipe (2). Didnt follow their method, just personnel for inspiration and explainations of ingredients.
Method: 4 medium carrots, 2 white radishes, 1 medium turnip, 1/4 cabbage, 3 pears, ~1/4 cup currants, vineger (~600ml), Honey (~4 Tablespoons), White Wine (~1 1/2 cups), spices (Ginger, cinnamon, galingale, fennel seeds, anise seed, ground mustard).
Boil root vegetabels, add cabbages 5 minutes later, pears 5 minutes later. Drain, dry on tea towel. Lightly salt, cool, put in pot, spices (ginger, cinnamon) and put vinegar over. Next day drain most of vinegar off, add spices, pour over heated honey-wine mixture.
3 Pretzels - (1) (2) (3) (4) (5) (6) (7)
4 Fruit and Vegetables Pickled - (1) (2) (10) (11)
5 Perry on Peasode - 15th centry English dish (documented in Forme of Cury) fresh peas and onion boiled together with olive oil, salt and sugar. Recipe redacted by godecookery.com
Elizabethian Sonnet
Cormac Lenihan
'Twas Capellanus claimed he'd never seen
A love that flourished, lest it be by night
With stolen kisses breaching wedding rites
Such love, he says, to both must feel more keen
For longing grows when something's in between
And conquest's sweeter when there is a fight
Made side by side against a common plight
Like marriage vows, whose strictures intervene
Tose worthless words are oft the plea of youth
Which heeds the loins and says the heart's to blame
And saying thus takes comfort in his crime
Such callow hearts have meddled up in truth
Lust's lighting bolt for love's eternal flame
The greaatest love is that which conquers time.
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THis is a sonnet in the Itailian style. The lines follow strict iambic ppentameter, with the emphasis on every second syllable. The rhyming pattern is abbaabba cdecde. An example of this rhyming style can be found in Petrarch's first sonnet:
(Cormac can you provide for me the further document?) |
Gilligan of St Barts
I shall relate to you a summer's day
When feasting, fighting, dancing all were done
And as the gloaming shut the light away
The gentlefolk continued in their fun.
A battle fought, the blows of wood on wood
'Though in their minds the sounds were turned to steel
From feasting pot all luck that came was good
So all enjoyed a fulsome hearty meal
Sweet music poped across the pav'ed floor
The graceful dancers twirles upon the earth
What pageantry! And people by the score
United n their pealing cries of mirth.
Although much fun as had in fading light
All things must end, and tourney ends this night.
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Sonneteers were often beholden to a patron, who commissioned poetical works to be written.
In this case, I commissioned myself to write a sonnet to mark the final Summer Twilight Tornament for 2007.
The standard sonnet structure is followed:
iambic pentameter:Ten beats to a line, stress on every second beat
Fourteen lines: four quatrains and an ending couplet
Rhyming scheme: ABAB ABAB ABAB CC
Many sonnets (especially those penned by William Shakespeare) cntained a fatalistic note about the passage of time and the impermanence of the human condition. The final couplet of the sonnet also touches on this notion. Glossary
iambic: a dipthmy with the stress on the second syllable (da DUM)
quatrain: a stanza compsed of four line
couplet: a stanza composed of two lines
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Rudolf von der Drau
How rare to sit beneath the freshing boughs
With Oaken gall and Eucalpt entwined
And watvh the contest rapt with Valor's blows
In honor of all Chivalry enshirned.
To watch untimely artifacts recede,
Ignored, while joyously the day does fade
In jest, we did with Chronos bright lightly plead,
That we might choose more honourable ways.
As all the waters down the rivers flow,
To stir again and rain upon those boughs,
Do we recieve the virtues of the days,
When first above the animals we rose.
So, here we are, preserving mem'ries green,
Remaining yours, In Service to the Dream.
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Gwynfor Lwyd
Here upon this verdant green do I stand
Caparisoned, arrayed, well armed
Armour bright, weapons gleam, at my command
At herald's cry nerves subside, pulse is clamed.
My foe in the list awaits, fearsome knight
Of grace and honour, assured and keen,
To match greats blows of sword and ax with might
In tests of prowess that chivalry seen.
By ladies surpassing fair, utter grace,
And lords of means and title and clean limb
Be entertained by flashing steel and stout shield
For today chivarly's light is not dim.
With honour and strength upon the great field
Prowess and skill at arms yet shall not yield. |
A sonnet what I did wrote tonight in honour of this 'ere Pas d'Armes.
It done got 3 verses of 4 lines, the a verse with 2, all of 10 syllables which is sorta like wot Shakespeare done did, even if he is out of period. |